Praise for The Outbreeds Series

NOVIC

“Novic is a brief, thought-provoking novella that explores life and death with quiet subtlety.” —Dontaná Mcpherson-Joseph, Foreword Reviews

CLAIMING T-MO

“This debut novel by African Australian author Eugen Bacon is an instantly confounding and mysterious tour de force of imagination. On the surface, it’s a richly textured, multidimensional tale that blends science fiction and an intricate mythology of its own making. Dig deeper, and it’s a puzzle that requires considerable assembly, piece by piece, as Bacon’s vision of outer-space sociopolitics, Afrofuturist metaphysics, and familial bonds comes into sharper focus. It’s an audacious book, one that zooms from the broadest of cosmic conceits into the most intimate of emotional epiphanies. Bacon is not remotely interested in following any threadbare formulas of science fiction or fantasy — much to Claiming T-Mo‘s benefit.” —NPR, Jason Heller – Full Review

“Claiming T-Mo is literate, imaginative, and provocative—a strong, even unforgettable, science fiction debut.” —Foreword Reviews

“Bacon employs elegant and poetic language that pulls readers into each different world and experience as felt by the three leading women. Recommended reading for those with an interest in sf, expressive language, and stories that focus on women’s relationships and perspectives.” —Library Journal – Full Review

“Bacon explores a four-generation alien family saga in this gleeful, wacky debut.” —Publishers Weekly – Full Review

“Recommended for those looking for speculative fiction centered around Black characters as well as fiction that blurs the boundaries between genres.” —Booklist

“A luxurious tapestry of words … Packed with so much love, fear, pain, and hope, that it invites multiple re-readings, and is good enough to justify the time spent doing so.” —Lightspeed Magazine, Chris Kluwe – Full Review

“Bacon enthralls readers with an innovative narrative that extols the potency of using poetic language in fiction.” —Aurealis Magazine, Megan Kelly – Full Review

“Beautiful and engaging and provokes a genuine emotional reaction in the reader.” —Andromeda Spaceways – Full Review

“[Bacon’s] eloquent, elegant and lyrical prose gripped me from the very first sentence of this immensely passionate, moving and thought-provoking story … [an] amazing, magical book.” —NB Magazine, Linda Hepworth (5 stars) – Full Review

“A multi-generational tale of otherworldly beings, superpowers, and the complexity of families . . . fantasy and science fiction blended together in a way that makes both seem utterly plausible within the world Bacon has constructed.” —Mad Scientist Journal – Full Review

“Claiming T-Mo is more than its stylistic elements of sci-fi, fantasy and speculative fiction— it reads like a well-woven memoir, a family saga in a parallel universe in which human and alien interaction is not such a strange occurrence. This novel will ground and hook you with ‘what is’, and enchant and reel you in with what might be.” —Other Terrain – Full Review

“Eugen Bacon Meets Linda Hepworth” —NB Magazine – Interview

“Nothing is off limits in Claiming T-Mo with a literary eloquence and decadence, which transports the mundane into the magical, suspending time and place into a kaleidoscopic universe.” —Weekend Notes – Full Review

“Claiming T-Mo is a whimsical blend of fantasy and science fiction, an engaging story accented by Eugen’s unique style.” —Milton Davis (author of The Gunman Series, Meji books 1 & 2, and Amber and the Hidden City)

“Claiming T-Mo is more than a novel—it is a life force, a beautiful and heartfelt sentience that speaks to you in equal parts charm, thrill, and wonder. Eugen Bacon is an emerging force in literary and genre circles alike, and quite simply her work is highly recommended.” —Eric J. Guignard (award-winning author and editor, including That Which Grows Wild and A World of Horror)

“Lush, hypnotic and absorbing. Bacon speaks in a language all her own, transporting us to an original, surreal, very real invented world.” —Kaaron Warren (award-winning author of Tide of Stone and The Grief Hole)

“Bacon’s sentences are endlessly full of these nimble, assured, madly inventive leaps. Her work is striking; I’ve never read anything like it.” —Keith Rosson (award-winning author of The Mercy of the Tide and Smoke City)

“Bacon scrambles and codifies and defamiliarises with a deft hand, bringing characters to vivid life and evoking worlds within worlds. Singing plants and sons severed from their best selves by bad intent; blue-haired aliens, murderous laws, and mothers who hide in the shadows—lyrical and mesmerising.” —J.S. Breukelaar (author of Aletheia, American Monster, and Collision)

“With Claiming T-Mo, Eugen Bacon has written an unforgettable saga of power, curse and hope, as lived by three generations of exceptional women. Magical, violent, enthralling, it is a book that shines with its own specific aura, a somber and beautiful unique object, designed by a truly splendid writer. A must.” —Seb Doubinsky (author of the City-States Cycle)

“A highly imaginative and well written novel with some highly evocative scenes and well realised characters, it uses the conventions of its genre to explore sophisticated themes.” —Julian Novitz (novelist, shortlisted Commonwealth Short Story prize 2014)

“The voice is particular and energetic: by far the strongest element of the work. The sentences have a bridling, writhing energy that, at its best, carries the reader forward at a blistering pace. The style is reminiscent of Toni Morrison, particularly in works like The Bluest Eye, where she experiments with non-standard English, but is far more playful. The combination of voice infused with the playful energy of a form of Standard Black English, combined with a story of quests and magic produces a unique work.” —Nike Sulway (author,winner Queensland Premier’s Literary Award 2000)

“Prose with a rhythm that sets it apart. Come for the music, stay for the story.” Michael Pryor (author of Gap Year in Ghost Town and the Laws of Magic series)

“It is not easy to make a work of fiction keep to its genre boundaries and still be an original work. Eugen Bacon’s novel is ambitious and skillful enough to pull this off. This is a novel with several types of magic in it, the magic of beautiful prose, the magic we expect of these characters, and a magically large heart within the telling.” —Prof. Kevin Brophy (poet, novelist, short fiction writer and essayist, joint winner Calibre prize 2009)

“Worlds are described, like those from Calvino’s Imaginary Cities, held up for the reader to admire, and then disappear to invite extrapolation . . . There is magic and magical powers, all described with a delight which is convincing and controlled. There is also realism, of a sort; places where the concerns and actions of the characters are similar to our own . . . The world described here is strange and yet familiar; more importantly, the worlds are fully imagined and fully realised. We are placed into it confidently and with assurance, and allowed to make our own way.” —George Green (author)

“The first thing that strikes me about the novel is how efficiently the mood is set, and how effectively it draws the reader in by way of identification at a deep level. Striking are how efficiently the plot is set in motion and how effectively the cast of characters are drawn in the story. The use of language—the breadth of vocabulary and the attention to detail are absolutely engrossing.” —Dominique Hecq (award-winning poet, novelist, short story writer)

“Claiming T-Mo takes the reader on a breathless journey through kaleidoscopic worlds which, on looking closer, resemble the mythic veins and sinews of our own, pulsing with unalloyed vitality. Within this visceral, shimmering universe, beautifully drawn characters spin their intersecting tales in language that bristles with visionary exuberance. And throughout looms the presence—and absence—of the mercurial and mysterious T-Mo, who alone holds the answers to questions that lie too deep to be asked. As playful as it is thought-provoking, this is a work of dizzying originality and profound humanity.” —Prof. Oz Hardwick (award-winning poet and author of Learning to Have Lost and The Lithium Codex)

“Claiming T-Mo is a story of generations of women striving for fulfillment, but caught in webs of passion, magic and stardust. Eugen Bacon embraces the strange and estranged in this unanticipated contemporary trickster myth.” —Emmet O’Cuana (author of comic Faraway)