Agent "Sully" Sullivan is one of the top cops in the Imperial Bureau of Investigation. A veteran witch of the British Empire who isn’t afraid to use her magical skills to crack a case. But Sully might need more than a good education and raw power to stop the string of grisly murders that have been springing up across the American Colonies. Every one of them marked by the same chilling calling card, a threat and a warning in the form of a legion of voices screaming out through the killers' mouths: “It IS tHe YEAr oF the KNife.”

On a warm summer day in Berlin, Helena is hit by a truck while crossing the street. She awakens to the loving face of her husband Joachim, but can’t remember anything about the accident, or even the last few years leading up to it. Retrograde amnesia the doctors call it and assure her that with time, she should regain her memory. Joachim doesn’t intend to lie to his estranged wife, Helena. But when he realizes that she doesn’t remember their separation, he can’t bring himself to tell her, so he takes her home and pretends they were never apart. As the lies accumulate, Helena senses something isn’t quite right—that her husband is hiding something. When the outside world encroaches, Helena must face an unsettling truth and decide what the past will mean for their future.

The Meduan and Lanserim ways of life are as compatible as oil and water. But when a menacing threat descends upon both countries, devouring all living things in its wake and leaving only husks of skin behind, Lansera's young Prince Janto and his fiancée, Serra, must learn to work together with the bedeviling Vesperi, an unpredictable Meduan who may possess the only weapon that can save them—the Silver Flame.

Behind the Mask is a multi-author collection with stories by award-winning authors Kelly Link, Cat Rambo, Carrie Vaughn, Seanan McGuire, Lavie Tidhar, Sarah Pinsker, Keith Rosson, Kate Marshall, Chris Large and others. It is partially, a prose nod to the comic world—the bombast, the larger-than-life, the save-the-worlds and the calls-to-adventure. But it’s also a spotlight on the more intimate side of the genre. The hopes and dreams of our cape-clad heroes. The regrets and longings of our cowled villains. That poignant, solitary view of the world that can only be experienced from behind the mask.

Riptide, Oregon, 1983. A sleepy coastal town, where crime usually consists of underage drinking down at a Wolf Point bonfire. But then strange things start happening—a human skeleton is unearthed in a local park and mutilated animals begin appearing, seemingly sacrificed, on the town’s beaches. The Mercy of the Tide follows four people drawn irrevocably together by a recent tragedy as they do their best to reclaim their lives—leading them all to a discovery that will change them and their town forever.

"'I’ve always had a taste for dark,' says Reeks in her introduction, and she goes on to prove it with a top-shelf selection of tales, 20 of which are original to this book. . . A well-organized, wide-ranging collection of consistently strong genre stories." -- Kirkus Reviews

"For fans of weird and beautifully written genre fiction, LOVE HURTS is a work that delivers 26 distinct emotional roller coaster rides, each as different from one another as they are from any other story you’ve probably ever read. As full of creativity as it is of heartbreak, it’s a book that truly is full of surprises." -- IndieReader (4.5 Stars)

Love Hurts contains twenty-six brilliant speculative fiction stories about love, and the pain that so often accompanies it. Sometimes funny, occasionally happy, frequently gut-wrenching-these stories will take your heart on a wild emotional ride. Stories by Jeff VanderMeer, Karin Tidbeck, Hugh Howey, and others.

Best Anthology - "This is a wonderful array of imaginers telling their wild secrets and what they believe possible." -- Grace Cavalieri, Washington Independent Review of Books, December Exemplars

An outstanding collection of poetry about inventions and inventors, real and imagined. "The poems in this anthology converse not only with each other, but also with their readers and the world at large, in service to the continued human drive to create solutions—even to problems we didn’t know we had." —Bernadette Geyer, Editor