Coming 2.19.19! Available for preorder
A collection of twelve of J.S. Breukelaar's darkest, finest stories with four new works, including the uncanny new novella "Ripples on a Blank Shore." Introduction by award-winning author, Angela Slatter. Relish the gothic strangeness of "Union Falls," the alien horror of "Rogues Bay 3013," the heartbreaking dystopia of "Glow," the weird mythos of "Ava Rune," and others. This collection from the author of American Monster and the internationally acclaimed and Aurealis Award finalist, Aletheia, announces a new and powerful voice in fantastical fiction.
“J.S. is leaving her footprints on a path blazed by luminaries such as M.R. James, Robert Aickman, Tanith Lee, Kelly Link, Charlotte Perkins Gillman, Jeff VanderMeer, Gustave Flaubert, Edgar Allan Poe, Daphne DuMaurier, Leonora Carrington and Charlotte Brontë, to name but a few.” -Angela Slatter, Award-winning author of Sourdough and Other Stories, Vigil, and Corpselight
“Stories that start in one place, and end – or don’t – somewhere else entirely, with dread, surprise, and wry beauty along the way . . . Collide with J.S. Breukelaar’s collection, and who can say where you’ll end up?” -Kathe Koja, award-winning author of The Cipher and Buddha Boy
“J.S. Breukelaar’s new collection, Collision, has definitely the perfect title. Her stories will punch your breath out, slam you sideways and hit you by surprise, leaving you exquisitely bruised and wanting for more. One of the major voices of our times, J.S. Breukelaar is a writer who fears nothing and takes you along her amazing narrative rides that defy genre and conventions, a reckless driver that only notice the signs on the side of the road in order to run them down.” -Seb Doubinsky, author of The Babylonian Trilogy, The Song of Synth, and Missing Signal
“Strange and unflinchingly surreal, Breukelaar’s stories read like dispatches from a fever dream.” -Keith Rosson, author of Smoke City and The Mercy of the Tide
- Breach Magazine, Eugen Bacon – “The stories are ruthless, nothing is safe—even the child who offers a lollipop and loses a wrist to the Clint Eastwood dog. Breukelaar experiments with the Gothic and queries the queer. Bedded within the tales is a voluptuous energy that turns pages. Tables pirouette in a blink and, before you know it, the story is eleven shades grimmer.” – Full Review